Press Release August 29, 2025

Rogier van der Heide at Euroluce: natural light as a design experience

Misk Art Institute . Riyadh

During the latest edition of Euroluce – Salone del Mobile.Milano, Dutch lighting designer Rogier van der Heide, regarded as one of the great international masters of light, brought the focus back to a theme that often risks being overlooked: the importance of natural light.

According to van der Heide, true understanding of light comes from direct experience: observing how the sun and sky interact with glass, surfaces, and materials. It is not just about lighting calculations, but about experiencing light as an integral part of architecture.


A holistic approach to design

In his talk, van der Heide emphasized that light should not be considered as something added to architecture, but as an element that creates space and shapes its perception.
Shadows, reflections, and transparencies thus become design tools capable of generating emotional experiences and influencing people’s well-being.

In more than thirty years of career – with projects for clients such as Apple, BBC, Louis Vuitton, and the Stedelijk Museum – the designer has shown how light can redefine the identity of a place and transform the way we experience it.


Natural light as a sustainable resource

One of the strongest messages emerging from his talk concerns the future of lighting design:

“The most powerful and sustainable source of light is the sun, and we are only at the beginning of fully understanding its potential in design.”

https://youtube.com/clip/UgkxyqunnXj3zgpo7pekrTBIKwe_nriTb4px?si=TzvN_w9cz1pfyMhP

An invitation to rethink architectural design from its very foundations, integrating natural light into materials, façades, and spatial logic.
Not just lamps and control systems, but buildings able to interact with the sun and sky, becoming luminous devices themselves.


Experience, research, and education

Alongside his projects, Rogier van der Heide has always devoted great attention to training new generations of lighting designers.
His masterclasses – such as the one held in Naples – aim to bridge the gap between artistic vision and scientific knowledge, passing on the ability to create authentic light experiences rather than mere technical solutions.


A shared perspective

Van der Heide’s message strongly resonates with our work as well: understanding and valuing natural light means designing spaces that are more sustainable, more human, and more inspiring.
In an era when technology allows anyone to produce “correct” lighting layouts, the real difference is made by the profound experience of light.


The project for the Misk Art Institute in Riyadh

A significant example of this approach is the lighting design for the Misk Art Institute in Riyadh, a project by Dutch architect Anne Holtrop.
Here Rogier van der Heide thoroughly studied the behavior of natural light through the glass façades, turning them not only into an architectural element but into a living surface capable of reflecting, diffusing, and modulating light throughout the day.

The result is a space where the relationship between inside and outside becomes fluid, and where natural light not only illuminates but shapes the museum experience and contributes to the very identity of the building.
A concrete example of how light design can go beyond technique to become culture and emotion.

https://www.rogiervanderheide.com/misk/#2

📺 Watch the full talk here: [https://www.youtube.com/watch?v=C5O4c8AvZLs]

Rogier van der Heide: the pioneer of lighting design

Rogier van der Heide (Netherlands, 1968) is one of the most influential international lighting designers.
Known for his holistic and experimental approach, he has transformed light from a mere technical element into a creative and cultural medium capable of generating emotions and redefining spaces.


Career and projects

He has worked on iconic projects for clients such as Apple, BBC, Louis Vuitton, Stedelijk Museum, up to the Misk Art Institute in Riyadh, where he studied natural light through the glass façades.
His work ranges from architecture to interiors, from museums to aerospace design, with interventions that blend technological innovation and artistic sensitivity.


Vision

For van der Heide, light is not an addition to architecture, but something that creates space.
He places natural light at the center, the most powerful and sustainable source, integrating it into materials and design logic from the earliest stages of the project.


Teaching and research

Alongside his professional career, van der Heide is deeply committed to education: through masterclasses and international conferences he shares his vision with new generations of designers and architects.


Anne Holtrop: architecture as living matter

Anne Holtrop (born in 1977 in the Netherlands) is a Dutch architect known for his experimental and poetic approach to material.
After studying at the Academy of Architecture in Amsterdam, he founded Studio Anne Holtrop in 2009, with offices in Amsterdam and Bahrain.

His work moves between architecture, art, and material research.
His projects do not start from a predefined form but often emerge from direct experimentation processes: plaster casting, sand imprints, metal folding.
From these primal gestures arise architectural structures that preserve the traces of matter and time.


Main projects

  • National Museum of Bahrain and pavilions for the Sheikh Isa Bin Ali House
  • Maison Margiela boutiques in Paris, London, and Tokyo, with resin walls and materials that evoke the brand’s craftsmanship
  • Mosque in Muharraq (Bahrain), exploring the relationship between spirituality and matter

Research and teaching

Anne Holtrop is a professor at ETH Zurich, where he carries out his research on architecture as an open process, imperfect and sensitive to context.

His work has been exhibited at the Venice Architecture Biennale and in several international museums, and today

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